I am generally interested in Ancient Greek Literature as well as its rich and varied afterlife in modernity. Most of my publications fall into two main categories: 1) Ancient Greek tragedy, with an emphasis on the chorus, and 2) its modern reception, particularly in Latin America and the Caribbean. My work on the latter has led to a wider research interest in Graeco-Roman classical legacies across the region (especially Hellenic classicisms), and the way that these intersect with questions of gender, race, class, and national identity.
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​My research has benefited from the generous support of the A. G. Leventis Foundation, the British Academy, the Harvard Center for Hellenic Studies, the Andrew W. Mellon Foundation, and the Woodrow Wilson National Fellowship Foundation.

With Justine McConnell I am co-editor of the new Classics and the Postcolonial book series for Routledge. I also sit on the editorial board of two Brazilian Classics journals: Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. In 2019 I was elected to the Council of the Society for the Promotion of Hellenic Studies.

Ancient Greek Tragedy and Literature

I am currently completing a monograph entitled Playing the Chorus: Greek Tragedy Beyond the Choral Ode, which addresses the various performative roles and capabilities of the fifth-century tragic chorus beyond the singing of odes.  My study, which focuses on the collective's interactive nature and their physical adaptability, examines the chorus in the extant plays of Aeschylus, Sophocles, and Euripides, as well as in surviving fragments.

​Publications

Books:
  1. Paths of Song: The Lyric Dimension of Greek Tragedy, co-edited with T. Coward and T. Hadjimichael, Trends in Classics Supplementary Volume 58 (De Gruyter, 2018) 
                        Review: R. Scodel, Bryn Mawr Classical  
                                           Review 2019.07.28

Articles and Chapters:
  1. 'Choral Mirroring in Euripides' Phaethon', in Greek Drama V: Studies in the Theatre of the Fifth and Fourth Centuries BCE, eds. C. W. Marshall and H. Marshall (Bloomsbury, 2020), 101-14
  2. ‘Sites of Performance and Circulation’, in A Cultural History of Tragedy in Antiquity, ed. E. Wilson (Bloomsbury, 2019), 35-48 (with notes on pp. 155-163)
  3. ‘On Not Managing Mourning: The Reticent Chorus in Sophocles’ Antigone’, NEARCO revista de antiguidade Vol. 10, No. 2 (December 2018) [Teatro no Mundo Antigo: possibilidades e recepção, ed. E. Miranda Cancela], 207-226
  4. ‘Hyporchematic Footprints in Euripides’ Electra’, in Paths of Song: The Lyric Dimension of Greek Tragedy, eds. R. Andújar, T. Coward, and T. Hadjimichael (De Gruyter, 2018), 265-290
  5. ‘Introduction’, in Paths of Song: The Lyric Dimension of Greek Tragedy, eds. R. Andújar, T. Coward, and T. Hadjimichael (De Gruyter, 2018), 1-15 (co-authored with co-editors)
  6. ‘Sophocles’ Antigone’, in Portrayals of Antigone in Portugal, eds. C. Morais, L. Hardwick, and M. de Fátima Silva (Brill, 2017), 13-26 (co-authored with K. P. Nikoloutsos)
  7. ‘Uncles ex Machina: Familial Epiphany in Euripides’ Electra’, Ramus Vol. 45, No. 2 (December 2016), 165-191
  8. ‘Charicleia the Martyr: Heliodorus and Early Christian Narrative’, in The Ancient Novel and Early Christian and Jewish Narrative: Fictional Intersections, eds. M. P. Futre Pinheiro, J. Perkins, and R. Pervo (Ancient Narrative Supplementum 16, Barkhuis, 2013), 139-152
  9. ‘Lucian’, in The Encyclopedia of Ancient History, eds. R. Bagnall, K. Brodersen, C. Champion, A. Erskine, and S. Huebner (Wiley-Blackwell, 2012), 4155-56

​Reviews:
  1. Review of L. Swift, Greek Tragedy: themes and contexts (Bloomsbury 2016), Bryn Mawr Classical Review 2017.07.45  
  2. Review of C. W. Marshall, The Structure and Performance of Euripides’ Helen (Cambridge 2014), Classical Journal Vol. 112, No. 2 (December 2016), 240-2
  3. Review of J. Billings, F. Budelmann, and F. Macintosh (eds.), Choruses, Ancient and Modern (Oxford 2013), Classical World Vol. 108, No. 3 (Spring 2015), 443-4
  4. Review of G. Harrison and V. Liapis, Performance in Greek and Roman Theatre (Brill 2013), Classical World Vol. 108, No. 1 (Fall 2014), 137-8
  5. Review of S. Montiglio, Love and Providence: Recognition in the Ancient Novel (Oxford 2013), Classical Review Vol. 64, No. 1 (April 2014), 87-89 
  6. Review of K. Ormand (ed.), Companion to Sophocles (Wiley-Blackwell 2012), Bryn Mawr Classical Review 2013.01.24
  7. Review of L. A. Swift, The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford 2010), Classical World Vol. 106, No. 2 (Winter 2013), 292-3

Classical Reception Studies 

My new book project, Tragedy and Revolución: Refashioning Greek Drama in the Hispanic Caribbean,  charts the manner in which playwrights in the Greater Antilles were able to appropriate and adapt Greek tragedy and comedy in novel and experimental ways, and in politically volatile contexts. I illustrate the ways in which Cuban, Dominican, and Puerto Rican artists turned to ancient drama in order to comment upon the urgencies of their present. 

Publications

Books:
  1. The Greek Trilogy of Luis Alfaro: Electricidad; Oedipus El Rey; Mojada, forthcoming Methuen Drama/Bloomsbury
  2. Greeks and Romans on the Latin American Stage, co-edited with K. P. Nikoloutsos (Bloomsbury, 2020)

Articles and Chapters:
  1. ‘Staging the European Classical in 'Latin' America: An Introduction’, in Greeks and Romans on the Latin American Stage, eds. R. Andújar and K. P. Nikoloutsos (Bloomsbury, 2020), 1-15 (co-authored with K. P. Nikoloutsos) 
  2. ‘Distorting the Lysistrata Paradigm in Puerto Rico: Francisco Arriví’s Club de Solteros’, in Greeks and Romans on the Latin American Stage, eds. R. Andújar and K. P. Nikoloutsos (Bloomsbury, 2020), 131-143
  3. Contributing author in N. Mac Sweeney et al., ‘Claiming the Classical: The Greco-Roman world in contemporary political discourse’, CUCD Bulletin 48 (2019), 1-19
  4. ‘Pedro Henríquez Ureña’s Hellenism and the American Utopia’, Bulletin of Latin American Research Vol. 37, S1 (November 2018) [Antiquities and Classical Traditions in Latin America, eds. A. Laird & N. Miller], 168-180
  5. 'Medea: Oxford's first BAME play', Didaskalia 14.6 (2018), 42-48
  6. ‘The Caribbean Socrates: Pedro Henríquez Ureña and the Mexican Ateneo de la Juventud’, in Classics in Extremis: The Edges of Classical Reception, ed. E. Richardson (Bloomsbury, 2018), 101-114 
  7. ‘Teaching the Classical Reception Revolution’, CUCD Bulletin 46 (2017) (co-authored with Barbara Goff)
  8. ‘Revolutionizing Greek Tragedy in Cuba: Virgilio Piñera’s Electra Garrigó’, in The Oxford Handbook of Greek Drama in the Americas, eds. K. Bosher, F. Macintosh, J. McConnell, and P. Rankine (Oxford, 2015), 361-379

Reviews:
  1. Review of K. Harloe, N. Momigliano, A. Farnoux (eds.), Hellenomania (London 2018), Classical Review Vol. 69, No. 2 (October 2019), 642-5
  2. Review of M. Powers, Diversifying Greek Tragedy on the Contemporary US Stage (Oxford 2018), Classics for All Reading Room
A copy of most of my publications can be accessed at my academia.edu page.